Saturday 17 January 2015

Being Kambakht with Hamza Ali Abbasi






But sorry to disappoint you, Ehtesham fans. Abbasi’s character in Waar is well and truly dead and he will not be making a surprise appearance in the sequel as the long-lost twin brother of the wisecracking, impertinent police officer we all loved. Fret not though, for he will be returning to screens at a cinema near us soon. He’ll just be a tad unrecognisable when he does.

“People expect you to be a hero,” he said, “You’re young, you look a certain way and people perceive you a certain way, and you end up being typecast. I don’t want that. Being a hero doesn’t involve a lot of acting. I love a challenging role because I’m not a hero — I’m an actor. In Kambakht, I deliberately play an ugly, crude character.”



 The film poster featuring Hamza’s character
With Kambakht, Abbasi’s debut as a feature film director, he is consciously seeking to break away from being a run-of-the-mill leading man. While his fans love seeing him on their television screens, he is looking to return to his first love — directing. What his fans may not know is that his breakout role in Waar came about completely by accident, as he had initially joined the project as an Assistant Director to Bilal Lashari. His starring role in Kambakht was also not part of the initial plan. A scheduling conflict forced Ahsan Khan to drop out of the lead role, forcing Abbasi to step in at the last minute. Abbasi concurs that he had a bit too much on his plate with this one, but he’s learnt his lesson the first time round.


The film project is the first step in a directorial journey that the actor hopes to culminate by making a film on Zulfiqar Ali Bhutto!
“I could have done much better as a director,” he said, “It’s a full-time job behind the camera, and it’s a full-time job being in front of it. In the future I will not act in any film that I direct.”

By his own account, Abbasi had never operated a RED camera when he set foot on the set of Kambakht on the first day of filming — but quickly adapted to the learning curve. “I realised that there would never be an ideal script, or an ideal producer so I dove in headfirst with this one. Making this movie was like film school on steroids for me,” he confesses, “and it was a blast. The idea for this film came about during a casual conversation I was having with Shehryar (Munawar).

The outdoor location of Kambakht
The outdoor location of Kambakht
It was exhausting, it took a lot out of us, but at the end of the day we had a great time making it because it was quite literally a group of friends getting together and deciding to make a movie.”

The director’s mantle is not the only one that Abbasi has donned for this film, and not all the ones he has tried on have fit. His production house, Kahani Films, was set up primarily to allow this film to be made. Given the handful of crew members that were behind Kambakht, necessity led to Abbasi taking on some behind-the-scenes responsibilities that he never wanted to shoulder.

“Production-wise, this film was a nightmare,” he confessed, “I never wanted to produce the film myself. The logistics of the set were a distraction — booking flights, coordinating transport and food. I had to interrupt a shot at one point because the bathroom was out of order and people were complaining! From here on out Kahani Films will solely focus on the creative part of filmmaking.”

The film is what Abbasi terms a “passion project” which seeks to break multiple moulds. At a time when most filmmakers and actors are jumping on the action movie bandwagon, Abbasi is trying his hand at a different genre, one that is close to his heart as a lover of cinema.

“It’s a full-time job behind the camera, and it’s a full-time job being in front of it. In the future I will not act in any film that I direct.”

“The film is an indie comedy,” he related, “I deliberately chose to make a comedy because I wanted to make people laugh. It doesn’t try to be anything else. I wanted to see if we could even make a film that was two hours’ long. If people are laughing for a third of that time in the cinema, for me, that’s good enough.”

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